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Samoan men

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Women play an important part in contributing with their skills in items of important cultural value including 'ie toga , finely woven mats used in ceremony and gift exchanges.

Bark cloth , called siapo in Samoa similar to the Fijian tapa cloth called masi , both of which is made from beaten mulberry bark.

These pictures typically depict abstract and realistic depictions of plant life, shells, fish , turtles , and hibiscus flowers. The siapo may be used for clothing, for wrapping objects and even simply for decorative reasons.

Ornaments , jewellery and hair accessories are made from naturally occurring materials such as sea shells , coconut and coir. Traditional Samoan medicine is often practiced as a first-line before hospital medicine.

This is a type of alternative medicine using plant leaves to massage the affected area. Wooden figurative sculpture was extremely rare in pre-Christian Samoa, and shares some similarities with Fijian and Tongan sculpture.

The 'ava ceremony is the most significant ritual which takes place before all important occasions, including the bestowal of matai chiefly titles.

Ceremonial items for the 'ava ceremony include the tanoa round wooden bowl similar to those used in the kava cultures of other Polynesian societies.

The tanoa are made of varying sizes supported by many short legs around it. These bowls and other related instruments are often highly decorated.

Known as kava in other parts of Polynesia, the 'ava is a beverage produced from a plant that is drunk throughout the western Pacific region. The kava is prepared by a group of people called aumaga.

Usually, the highest chief of the visiting party is served first, followed by the highest chief of the host party, and then service proceeds based on the rank of the rest of the participants.

The drink is served in a polished coconut half shell. The traditional Samoan dance is the siva. The female siva is with gentle movements of the hands and feet in time to music.

The sasa is a group dance performed sitting to a drum rhythm. Samoan males traditionally perform the fa'ataupati slap dance , usually performed in a group with no music accompaniment.

Other types of dance are modern dance by the younger generations. Traditional Samoan dance is arguably the one area of Samoan culture that has not been touched by Western Civilization.

The maulu'ulu is a group dance performed by female counterparts only, also the taualuga is the main Samoan traditional dance that is performed by a village chief manaia or village chiefess taupou.

It is often performed at weddings , birthdays and other Samoan celebrations. In the Samoan culture the Taualuga is used for special celebrations, started by the village chief's son manaia or village chief's daughter taupou.

The Tuiga is a Samoan Traditional headpiece crown that is made out of different types of things like feathers, human hair, and a variety of different types of shells.

Also it's now a privilege to wear the Tuiga because in the 19th century it was only to be worn by the high chief's son, daughter, and also by extended families.

Before they start the taualuga, he or she must bow their head and spread out their hands to the people, to thank the people for coming out and for their support.

This happens before and after the taualuga. The way we prepare the outfit is stressful. But the outfit is made from fine woven mats that symbolizes time, honor, and traditions, then we add red feathers from the birds of the islands.

Next the outfit with a Tapa is made from the bark of the tree and it represents the art and the craft of the Samoan culture.

Then there was The Ula Nifo it's a necklace that is made from whale-tooth that is worn by the head chief or worn by the person who dances the taualuga.

It was also a symbol of wealth. Finally, the meaning of the dance. Back in Samoa in the 19th century the person who performed the dance was the high chief's son or daughter that was a virgin.

In American Samoa , most people are bilingual; they speak both English and Samoan. People in Samoa are also bilingual, but Samoan is stronger and more widely spoken, although the inhabitants of Swains Island speak Tokelauan.

The traditional ladies clothing is the puletasi which is a matching skirt and tunic with Samoan designs. The lava-lava is a sarong which may be worn by men or women.

In Samoan culture, the women have a traditional tattoo called the "Malu". The very old practice of the Malu is a sign of cultural and national dedication.

There are more versions of Samoan Tatau today, more for artistic design, and even though newer versions aren't traditional, they have been found to be attractive if tasteful.

A gorgeous woman in Hawaii named "Chisa Dizon" Hawaiian Model , has been known to be an excellent example of inked beauty, as she exhibits her love for her pacific island region with Samoan, Hawaiian, and Maori tattoos.

This area is a bit general, but of course all men love talented women. A woman involved in the Arts has a sense of taste or unique taste, or potential to always be something more, an ability to grow and hone skill.

Long Flowing Hair. Long wavy beautiful hair has shown to be a very attractive feature to Samoan Men. The Pacific island style of long flowing hair is not only an attraction to Samoan men, but is an expected hair-style by overseas Tourists who have seen movie wonders of pacific paradises.

Comments on Samoan Men: "There seems to be a question around as to what type of women, Samoan men like, I mean like ethnically They are Samoan men, but they are men They are well known as the founders and heart of Polynesia.

The recent western Wikipedia history on Samoa is angled in a way, so to play down the earlier observations and studies on Samoa, which is fair since almost all history in Wikipedia can be considered scrambled and hardly insightful.

Point being, Samoan men don't have a need to prove their worth, and come with great confidence to either the United States or Australia, or any place they come to pioneer.

It's hard to explain, but a real Samoan man is truly a comfort to be with. It's one of the safest feelings ever, like the world dare not mess with you with him around.

Looking for the fun while we were in high school. The guy was big, he played football, he ate a ton, and partied with the popular crowd.

Lots of girls liked him, they thought he was some new super genetic Puerto Rican or Columbian or some big super Cuban lol, it was funny, his cousin looked like a freaking Mongol.

They don't date. Maybe when they're young in like high school, but in the real world it's more genuine. Lol ummm, in Samoan culture, the men cook.

Ya, that's right the men cook, so all that BS that European women had to go through, meanwhile in Samoa, for hundreds or thousands of whatever years Samoan women were living it up the good life, on a beach, gossiping, whatever.

Oh but, Samoan men won't do dishes lol. Are Samoan men ambitious? Um in some environments ya, but see they know deep down inside they don't really have to do anything.

If they go to Samoa, it's back to paradise, like that's it. An honest days work is a good thing to them. Keep that in mind, they don't have to be there, and they'll only work hard for the sake of it being logical.

Early contact with Europeans was established in the 18th century. Christianity was formally introduced with the arrival of L. Christian missionaries in August The western islands became German Samoa.

Western Samoa regained its independence on January 1, In it formally changed its name to Samoa. Marriage ceremonies are important Samoan cultural events.

Marriage involves the transfer of property of the female, the toga, and the male's property, the oloa. It is a village event, with two ceremonies and a feast at the conclusion.

In the first ceremony, the bride and groom march through the village to a district judge. The judge then conducts a civil ceremony.

Concluding that official ceremony, the newlyweds next gather in a church where a religious ceremony is performed by a member of the church.

At a feast, families provide food from all over the village. After the conclusion of the wedding, the newlyweds choose which side of the family they would like to live with.

After moving in with a particular family, they are expected to do work around the land and the house to help provide for their family.

When families have children, they too are expected to help with duties and chores around the land, by age three or four.

The young girls take care of other children and housework, while the boys help with cultivation, animals and water gathering.

By the time the children reach the age of seven or eight, they are expected to know and be acclimated to the life and chores of the Samoan culture.

This includes being adept at "agriculture, fishing, cooking, and child care" [11] along with a multitude of other chores that their elders have directed them to do.

As the Samoans grow up, they are given the most tasks and responsibilities they can hold, until they can take over fully for the aging members of their extended family.

When a member of extended family dies, the funeral preparations start almost immediately. The deceased body is bathed and dressed in white.

They are placed on woven mats before the funeral less than hours later. A feast concludes the event, with food being served to mourners and people who helped with the burial.

Other family members take over the responsibilities of the deceased while still serving their own personal chores around the land. The elected Matai of the community is the controller of every portion of a village land.

The village Matai says what cultivators will do with land and "hold sway over allocation of plots and the ways in which those plots are used.

This is to avoid it being controlled by one family for a long period of time. Village house lots is where individual houses or huts of single person or family lives.

These houses are built in clusters. The clusters include multiple different aspects, but all look the same. Each house includes a main sleeping house, a guest house and a latrine.

The underbrush covers the entirety of the land. These plots of land are recognizable to all villagers and are separated by boundaries.

Boundaries are usually made up from a variety of rocks, streams, trees and plants. It is very easy to distinguish the different properties owned by separate families.

Family reserve sections are where crops are cultivated. The biggest amount of crops grown within the Samoan culture is taro leaves and yams.

However, they would be no longer classified as a family reserve but regarded as owning the crops but not the land. This is due to the fact that crops grown here are able to grow quickly and easily without many interruptions.

Village land is the least cultivated and most shared portion of land in Samoan villages. To be able to plant here requires permission from the village council.

This is because "the land is community property and not family owned". Traditional Samoan tattoo tatau , pe'a male tatau , malu female tatau , demonstrate the strong ties many Samoans feel for their culture.

Samoans have practiced the art of tattooing men and women for over 2, years. To this day, a man's tattoo extensively covers from mid-back, down the sides and flanks, to the knees.

A woman's tattoo is not as extensive or heavy. The geometric patterns are based on ancient designs that often denote rank and status.

The va'a canoe , for example, stretches across a man's mid-back. In Samoa's cultural past most males were tattooed between the ages of 14—18, when it was determined they had stopped growing, so the designs would not stretch and suffer in beauty.

Today, there has been a strong revival of traditional tattooing in the past generation, not only in Samoa but throughout Polynesia, often as a symbol of cultural identity.

Tatau, the Samoan word for tattoo has a number of meanings including correct or rightness. It also signifies the correct quadrangular figures in reference to the fact that Samoan tattoo designs do not include circular lines, although other Polynesian tattoo motifs do.

Early Englishmen mispronounced the word tatau and borrowed it into popular usage as tattoo. Traditional tattooing is a painful process. The Samoan tattoo master dips his cutting tools into black ink made from the soot of burnt candlenut shells and then punctures designs into the skin.

The cutting tool consists of a short piece of bamboo or light wood with a piece of tortoiseshell bound at right angles at one end.

A little bone comb is bound to the lower broad end of the tortoiseshell. The larger the comb, the greater the area on the skin is covered with fewer strokes.

The master uses a small mallet to repeatedly tap a short-handled instrument. The process takes days and is sometimes partially accomplished over longer periods, with recuperation in between.

Tattoo designs have changed to include freehand symbols such as the kava bowl representing hospitality; the characterization of the Samoan house or fale signifying kinship; emblems of nature — shells, fish, birds, waves, centipedes; and the traditional geometric lines and angles of different lengths and sizes.

Modern pop and rock have a large audience in Samoa, as do several native bands; these bands have abandoned most elements of Samoan traditional music, though there are folky performers.

Recently, the population has seen a resurgence of old Samoan songs, remixed in the style of reggae but with some traditional elements, such as the use of the pate and old chord structure.

In addition to this was the human voice. This limited range of instrumentation had no effect on the importance of music in Samoan life.

Because there was no written language many stories and legends were propagated through song and the complex rhythms from the pate are essential in the performance of many Samoan dances.

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